Archetypal - Analysis Essay

Known as the tumble of analytic psychology, Carl Jung revolutionized the way the orbit visited at the human brain through the creation of the archetype, the corporal unconscious, and the soulfulnessality (introverted and extroverted) (Wikipedia.org). Jung created well-nigh of the best known psychological concepts such(prenominal) the archetypes of the conscious and unconscious mind. Jim Thompsons The sea wolf at heart Me (1952) and Chester Himes A Rage in Harlem (1989) are two whole kit and boodle of literature that explore these archetypes. In order to thrive in society, as presented in Thompsons and Himes novels, characters (such as Lou and Imabelle) are labored to adapt and change in order to achieve their goals. Thus, I argue that prototypal theory is a useful incision to analyze the evolution of some(prenominal) Lou and Jacksons headland in The Killer interior Me (1952) and A Rage in Harlem (1989).In particular I look at the ego, persona, and shadow in Thompsons and Himes novels.\nFirstly, in archetypal theory, the ego looks at how characters require themselves, what they find important (or unimportant), and whether or not they share these thoughts with others. As C.G Jung mentions, the ego is a harvest-home of the consciousness (1973:7). This suggests that the above decisions are made consciously and not, perhaps, as the result of passive socialisation due to external influences such as religion or the mass media. It is important to annotating that the ego interacts closely with its counterparts the id (ones desires and impulsive needs) and super-ego (ones notification to reality) by acting as a mediator amongst the two. Thus, the ego is created from a compromise between a persons individual desires and the predominant social norms of society (or a specific environment).\nAs interpret in Thompsons The Killer Inside Me (1952), individuals in capitalistic societies (such as Lou) demonstrate how the ids desires can be action without fear of repercussion...